Welcome to the a-n forums.http://www.a-n.co.uk/forum/index.phpSat, 19 May 2012 06:26:31 +0000 Phorum 5.2.11 http://www.a-n.co.uk/forum/read.php?4,1568,1689#msg-1689 http://www.a-n.co.uk/forum/read.php?4,1568,1689#msg-1689 Juno Doran Work/Life balanceWed, 09 May 2012 19:09:15 +0000 http://www.a-n.co.uk/forum/read.php?33,1688,1688#msg-1688 http://www.a-n.co.uk/forum/read.php?33,1688,1688#msg-1688
Vendor agrees to indemnify Company and save it harmless from all liability, claims, suits and actions which may be made or brought against it by virtue of claims or demands of any kind which any purchaser of such merchandise from Company or any other person may make against Company arising from the sale or use of such merchandise or from any defects in the quality of such merchandise or the dangerous conditions thereof, and agrees to pay any judgment against and assume any liability or expense of Company in connection with any such claim. Vendor shall procure and maintain adequate products liability insurance and commercial general liability insurance (including personal and advertising injury) with a contractual liability endorsement covering Vendor's indemnity obligation under this Agreement and shall furnish to Company certificates thereof in connection with each order. Such policies shall name Company as an additional insured thereunder.

My legal advisor has said i should not sign it unless they agree in writing to waive this clause and also a couple of other ones. In addition they want me to get my work certified free of lead, at my own expense. (anyone know anything about how to do this?) They will ship and pay duties etc but there is so much documentation - i even have to get my own labels and barcodes printed out - yet another expense! So i am wondering if there is any point going ahead with it - it is a very prestigious retailer and it would be wonderful to sell to them particularly as they approached me in the first place... so has anyone out there got any experience of this, and if so can you share it with me. Thanks]]> Alexandra Abraham Know-howFri, 04 May 2012 17:23:36 +0000 http://www.a-n.co.uk/forum/read.php?4,137,1687#msg-1687 http://www.a-n.co.uk/forum/read.php?4,137,1687#msg-1687I feel it is, in our hearts to feel guilt and art is a obsession if you are, a true artist at heart, we live, eat and breath the world of art because we were born that way. I could not think my life without art, what would I do? What would be my reason for life? My intentions? I seam to struggle to answer questions without my art. I create art because I need it. I want it and I will always crave it.]]> Abbey Potter Work/Life balanceTue, 01 May 2012 23:27:46 +0000 http://www.a-n.co.uk/forum/read.php?26,1686,1686#msg-1686 http://www.a-n.co.uk/forum/read.php?26,1686,1686#msg-1686£204,995 - marketed by Samuels Independent Estate Agents (0843 313 6597)
rightmove.co.uk]]> Lucy Bell Swap shopTue, 01 May 2012 16:36:13 +0000 http://www.a-n.co.uk/forum/read.php?9,1456,1685#msg-1685 http://www.a-n.co.uk/forum/read.php?9,1456,1685#msg-1685
So I thanked them and left. As for red bubble I have sold a couple of items but really see it as exposure only. Ironically I have sold more through people seeing my fb page and then directly contacting me. Outside of the virtual world, exhibitions are still my favourite way of selling and from people visiting.]]> Caroline Draper Virtual coffee houseMon, 23 Apr 2012 13:10:58 +0000 http://www.a-n.co.uk/forum/read.php?9,1684,1684#msg-1684 http://www.a-n.co.uk/forum/read.php?9,1684,1684#msg-1684
Anybody can enter and there are no limitations with theme or style. For full submission details visit the website:

http://itsaphase.co.uk/page2.htm

DEADLINE: 18 May 2012]]> Kathryn Evans Virtual coffee houseFri, 20 Apr 2012 15:07:22 +0000 http://www.a-n.co.uk/forum/read.php?33,1683,1683#msg-1683 http://www.a-n.co.uk/forum/read.php?33,1683,1683#msg-1683
Have recently had work exhibited in a group exhibition in a gallery. Fortunately I sold 3 pieces. I have been advised I will receive payment for 2 of them (have not yet received payment) but the third has been sold through the monthly payment scheme so I will not receive payment until the painting has been fully paid for.

Unfortunately, against my better judgement, everything has been done via email and verbally (no terms and conditions etc). Nothing was mentioned either verbally or via email about this scheme in the event of me selling a painting.

Not sure how to proceed. Should I just wait and see if I get paid eventually or ask for something more specific in writing as to when I can expect to be paid for this third piece of work?

Any advice you can give will be greatly appreciated.

Many thanks.

AB]]> Angela Bell Know-howTue, 17 Apr 2012 05:33:28 +0000 http://www.a-n.co.uk/forum/read.php?9,1682,1682#msg-1682 http://www.a-n.co.uk/forum/read.php?9,1682,1682#msg-1682
I was approached earlier this year by someone purporting to be a talent scout for a curated show titled 'The Glance of the Others' due to take place at Vista Gallery, in Rome during May.

I've pasted the full details below. Does anyone else reading this know of anyone who has been approached? I've already checked out the gallery (it exists though there is not a website) but I'd be interested if anyone has any views or direct experience (positive or negative) with this venue.
I am not much in favour of paying to exhibit, plus being hit by 20% commission!

----

Vista&Vanio
Present
THE GLANCE OF THE OTHERS. UNITED KINGDOM
Globalization is a determining component of modern civilization on which it affect in a contradictory and controversial way and creates not only an economical but also political and social interdependence involving in people, institutions, and Countries all over the world. Its dynamics has widened and speeded up the worldly interconnection in all the aspects of our contemporary life from the cultural to the political one, from the environmental to the religious and spiritual one. The artist, who by definition is permeated by a “superior sensitivity” which allows him to have a special glance towards the society changes is called to express himself/herself on the topic of identity and diversity in a globalized society. Vista Gallery intends to explore and compare, through a series of exhibitions titled “ The glance of the others”, the different voices coming from artists living in the United Kingdom.
For this exhibition the artist can choose among:
One work: dimension 100x100 entrance fee € 160,00
One work: 50x70 or two works of 50x50 entrance fee € 140,00
One work: dimension 50x50 entrance fee € 120,00

The exhibition will take place from May 26th to June 15th 2012
To Vista Gallery Art and Communication
at 41 Via Ostilia – Rome (near the Colosseum)
The artists are asked an entrance fee that guarantees the following services for the exhibition promotion:
1) Opening with a cocktail ( wine and Buffett)
2) Setting up and dismantling
3) Invitations and communication by mailing list of thousand contacts on several Art websites.
4) Press agency including an Art news reporting in the television programme Colours broadcasted on Roma Uno Tv, on Sky channel 860, and on different regional Tv channels.

We will not produce any catalogue.

The participants will have to send:
By May 10th 2012 an email with the confirmation of their adhesion to the following email address: gaudillo_gaudi@yahoo.it
By May 15th 2012 a photo of the work/s for the press agency, all data for the caption (TITLE OF THE WORK, TECHNIQUE and DIMENSION) and the PRICE of the work.
All works must be provided and equipped of hooks/hangers
By May 18th 2012 the participants will have to credit the exhibition fee with a bank transfer.
All banking data will be communicated afterwards.
By May 24th 2012 all works will have to be delivered by courier or personally to the following address:
VISTA ARTE E COMUNICAZIONE
VIA OSTILIA 41
00184 – ROMA
ITALY
Opening hours Monday – Friday 3.30 – 7.30 p.m. Saturday 5.30 – 8.00 p.m.
Closed on Monday

IMPORTANT: We advice the artists to get all information about the documents for the shipping from the customs There would not be many bureaucratic obligations or customs formalities but it is better to inquire (be sure) about this, exactly.
The organizers do not assume any liability for any eventual customs taxes, transport damage, tampering, fire, theft or other causes during the exhibition time, storage, exposure and stock.
If for any reason the artworks will not reach the destination, the artists who couldn’t participate to the exhibition will not have their fee refunded.
We advice the artists to send their works at least one week earlier.]]> Robert Fitzmaurice Virtual coffee houseMon, 16 Apr 2012 13:12:38 +0000 http://www.a-n.co.uk/forum/read.php?27,1680,1681#msg-1681 http://www.a-n.co.uk/forum/read.php?27,1680,1681#msg-1681
This year’s Degree Show covers a wide range of media and showcases the fantastic and diverse work of an innovative, original and extremely talented new generation of up and coming Artists as they complete their studies.

We hope that you will be able to attend and look forward to seeing you on the opening night which is promising to be an exciting and vibrant event.

The Private view will be on the 17 of May 2012 at 18.00-21.00]]> Laura Ana Maria Iosifescu News and debateFri, 13 Apr 2012 22:39:27 +0000 http://www.a-n.co.uk/forum/read.php?27,1680,1680#msg-1680 http://www.a-n.co.uk/forum/read.php?27,1680,1680#msg-1680
Because though it’s virtually impossible to round up in a few words the scope of this gang working across a range of media, one strong element you can find among this set of practices is the unrelenting question of how we - as individuals or communities- relate to our environment. How we navigate, make sense and interact with our surroundings, which then through this questioning becomes how each takes hold and re-casts the world as their own. For some it is entangled with the layers of unknown landscapes, for others it is in constantly hitting up against immutable surfaces; for yet others it is a re-placed nature, and for some a photorealism tweaked ever so slightly with a pointed fantastical element. In my short time helping to teach at UEL, I’ve encountered a refreshing unorthodoxy from the students—see for yourself here the breadth and energy of how these graduates have re-visioned the world.

Chris Fite-Wassilak
Writer and curator]]> Laura Ana Maria Iosifescu News and debateFri, 13 Apr 2012 22:36:52 +0000 http://www.a-n.co.uk/forum/read.php?26,1679,1679#msg-1679 http://www.a-n.co.uk/forum/read.php?26,1679,1679#msg-1679The space is on a mezzanine floor, enclosed with own door. There is natural light & storage. My studio is on the 4th floor.
The space is aprox 3.3 x 3.1m.

We have an open studio event every November, which provides an ideal selling opportunity, along with other events throughout the year.

Contact Fiona 07525 537045
fionagraydesigns@hotmail.com]]> Fiona Gray Swap shopFri, 13 Apr 2012 11:49:40 +0000 http://www.a-n.co.uk/forum/read.php?4,1291,1678#msg-1678 http://www.a-n.co.uk/forum/read.php?4,1291,1678#msg-1678
My studio in Brighton is £300 a month with no heating, we use electric heaters and I share with a friend so am paying £150 a month]]> Katherine Griffin Work/Life balanceFri, 13 Apr 2012 11:05:50 +0000 http://www.a-n.co.uk/forum/read.php?33,1646,1677#msg-1677 http://www.a-n.co.uk/forum/read.php?33,1646,1677#msg-1677 Tracy Turner Know-howThu, 12 Apr 2012 08:52:15 +0000 http://www.a-n.co.uk/forum/read.php?33,1676,1676#msg-1676 http://www.a-n.co.uk/forum/read.php?33,1676,1676#msg-1676
I may be over complicating something that should be relatively simple to sort out and initiate, so any thoughts would be helpful.

Thanks
Tracy]]> Tracy Turner Know-howThu, 12 Apr 2012 08:48:33 +0000 http://www.a-n.co.uk/forum/read.php?24,1674,1675#msg-1675 http://www.a-n.co.uk/forum/read.php?24,1674,1675#msg-1675
There is a one-off exhibtion policy - see [www.a-n.co.uk] or you can ask them for a quote for your particular needs via air@a-n.co.uk

For insurance questions, note that the people from Hencilla usually take part in AIRTIME events - see calendar at [www.a-n.co.uk] - and can answer specfic questions about these as well as the Public and Products Liability insurance cover that UK based AIR members automatically get.]]> Susan Jones Forum supportTue, 10 Apr 2012 09:46:53 +0000 http://www.a-n.co.uk/forum/read.php?24,1674,1674#msg-1674 http://www.a-n.co.uk/forum/read.php?24,1674,1674#msg-1674 Imi Maufe Forum supportTue, 10 Apr 2012 08:57:42 +0000 http://www.a-n.co.uk/forum/read.php?8,1672,1673#msg-1673 http://www.a-n.co.uk/forum/read.php?8,1672,1673#msg-1673
I can assure you - as we deal with them personally and they also contribute to each of the AIRTIME events - that the people at Hencilla can provide advice to you as to what insurance - other than Public liability you may need to consider for your event. They will not pressure you to buy.]]> Susan Jones AIR: Membership mattersTue, 03 Apr 2012 08:39:50 +0000 http://www.a-n.co.uk/forum/read.php?8,1672,1672#msg-1672 http://www.a-n.co.uk/forum/read.php?8,1672,1672#msg-1672I am organizing an exhibition with a few friends, all of which have membership with 'artist's network.' We are renting a space for the show, and it seems we would already be insured for such an event through the 'public liability' coverage. We were told that we would need to get bespoke cover, but now I'm not so sure...Has anyone else had such an experience? How can I figure out what is required without contacting the insurance company which will probably attempt to make me pay for coverage I may not need??
Thanks, Georgia]]> Georgia Kung AIR: Membership mattersMon, 02 Apr 2012 21:08:02 +0000 http://www.a-n.co.uk/forum/read.php?9,1654,1671#msg-1671 http://www.a-n.co.uk/forum/read.php?9,1654,1671#msg-1671
I would say use natural light. Choose a spot where you get an even light. If the sun is beaming this may be too harsh, creating sharp shadows, if your not positioned in the right place. A slightly cloudy, but bright day will give you a warm light, whereas a dark overcast will give you more blues... cold light. So you should look at your style of work and consider if warm or cold tones work best. A sunny day can work, but there ideally need to be something blocking the rays.

Props can compliments what you do. Your work may look great photographed out doors, next to an object or landscape that really brings your work to life.

Traditional straight forward framed shots (which is what I have used) do a clean job... but I have seen some wicked examples of artwork being photographed in different ways.... of course this has to compliment!

All the best - hope that helps :)

Joyce]]> Joyce Treasure Virtual coffee houseFri, 30 Mar 2012 10:52:48 +0000 http://www.a-n.co.uk/forum/read.php?9,1670,1670#msg-1670 http://www.a-n.co.uk/forum/read.php?9,1670,1670#msg-1670
For more on this you can read my blog here: [joycetreasure.co.uk]

Joyce]]> Joyce Treasure Virtual coffee houseFri, 30 Mar 2012 10:31:44 +0000 http://www.a-n.co.uk/forum/read.php?33,1669,1669#msg-1669 http://www.a-n.co.uk/forum/read.php?33,1669,1669#msg-1669
Are there any issues to watch out for?

Cheers!]]> Lee Campbell Know-howThu, 29 Mar 2012 19:52:40 +0000 http://www.a-n.co.uk/forum/read.php?9,1654,1668#msg-1668 http://www.a-n.co.uk/forum/read.php?9,1654,1668#msg-1668
The better camera you have available the better the quality of the image, it depends on your purposes how important this is. Also save to TIFF or RAW if you have a choice on your camera so you get a digital file with the maximum information on it. If it's just for web or your reference this doesn't matter so much.

If you have different options on your camera for monitoring, ie, spot, multi, or average, take images with each of them and weigh up which you think is best. If you have Photoshop or similar this is handy for adjustments.

Also good to slightly underexpose if possible I find. Only slightly.
Having work vertical, horizontal, at an angle, you just need to experiment with what works best. But a grey, slightly overcast day, is a must.]]> Jenny Meehan Virtual coffee houseThu, 29 Mar 2012 16:25:38 +0000 http://www.a-n.co.uk/forum/read.php?9,1456,1667#msg-1667 http://www.a-n.co.uk/forum/read.php?9,1456,1667#msg-1667 Jenny Meehan Virtual coffee houseThu, 29 Mar 2012 15:07:22 +0000 http://www.a-n.co.uk/forum/read.php?9,1616,1666#msg-1666 http://www.a-n.co.uk/forum/read.php?9,1616,1666#msg-1666
You will definitely not be losing out by not being in London. I have spent the last 13 years in London doing my BA (hons) and post grad in Fine Art. Depending on what your practice is and how old you are London may suit you, but based on the experiences of myself and some my peers its highly competitive and stressful. To put it plainly it ain't all that.

Space is at a premium in London art schools. You will have a studio space no bigger than a small desk and part of a wall. My postgrad had 50 of us crammed into one room.

In order to survive and buy materials you need you will have to work part time. There are some post grad accommodation at some of the institutions but finding a flat can be difficult. Its always best to check out the notice board at the institution to see about rooms, flat shares etc University of the Arts London that houses CSM, Chelsea, Wimbledon, Camberwell etc run an excellent housing service and student services.

I can help you with more specific questions if you want. I take it you will be applying for next year as it seems quite late now.]]> Amanda Hillis Virtual coffee houseSun, 25 Mar 2012 09:19:45 +0000 http://www.a-n.co.uk/forum/read.php?9,1616,1665#msg-1665 http://www.a-n.co.uk/forum/read.php?9,1616,1665#msg-1665
- Proportion of theory/practical work - Different institutions will vary, some may hold most of the importance on theory, research and written reports, while others are more practical and studio based.
- Amount of taught time - If you are more of an independant worker and feel like you would be able to motivate yourself with little support or perhaps if you prefer more guidance, critical analysis and feedback from tutors when you work.
- Some institutions may have scholarships, bursaries or AHRCbursaries, which will offer to pay for all or part of your fees.]]> Hannah Linehan Virtual coffee houseFri, 23 Mar 2012 11:40:46 +0000 http://www.a-n.co.uk/forum/read.php?32,422,1664#msg-1664 http://www.a-n.co.uk/forum/read.php?32,422,1664#msg-1664 Hannah Linehan Critical discussionFri, 23 Mar 2012 11:27:36 +0000 http://www.a-n.co.uk/forum/read.php?26,1663,1663#msg-1663 http://www.a-n.co.uk/forum/read.php?26,1663,1663#msg-1663Retail space Available


Centrally located riverside studio with retail opportunity to share with textile designer.
Excellent opportunity to base your business in a prime location.

Open glass front windows and door, with hard wood floors.
Would suit working creative professional for studio, or desk space.

£90/week. + bills
Near both Waterloo Station, and Southwark Station.

For more information please contact: 07711 875 312, or email michelober@hotmail.com]]> Michele Oberdieck Swap shopFri, 16 Mar 2012 16:32:56 +0000 http://www.a-n.co.uk/forum/read.php?9,1662,1662#msg-1662 http://www.a-n.co.uk/forum/read.php?9,1662,1662#msg-1662I have agreed to interview 5 artists, the outcome of which will be edited down for a website (that will be viewed by patients, staff and visitors to a hospital.)

I'd like to know if you've had experience of being interviewed ....

Which is the most annoying question?
and which type of questions don't allow you to use the opportunity/ time wisely..

Have you any tips on what would elicit rich info to make interesting reading??

It could have been an interview with a reporter / funding panel / gallerist / curator

Many thanks
Suzanne]]> Suzanne O'Donnell Virtual coffee houseWed, 14 Mar 2012 12:59:24 +0000 http://www.a-n.co.uk/forum/read.php?33,1661,1661#msg-1661 http://www.a-n.co.uk/forum/read.php?33,1661,1661#msg-1661 Melanie King Know-howTue, 13 Mar 2012 19:40:51 +0000 http://www.a-n.co.uk/forum/read.php?4,1291,1660#msg-1660 http://www.a-n.co.uk/forum/read.php?4,1291,1660#msg-1660 Steve Robinson Work/Life balanceFri, 09 Mar 2012 22:10:10 +0000